Are Hitboxes Cheating In 3d Games

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Welcome to the final GameMaker Basics entry! During the development of Kerfuffle (RIP), I got a lot of questions about hitboxes and hurtboxes. For example, how do they work? How do you set them up? How do you balance them? I thought this would be a great place to address questions like these. This entry is going to get a little more complicated than the previous entries, but this is nothing you can’t handle. As always, I highly recommend following along from the previous entries.

Most of the time a characters hurtbox is on the 1st and 2nd layer and most attacks hitboxes are on the 1st and 2nd layer. The 3rs layer is when a character is dodging. But certain projectiles like the Link's or the Pit's arrows have a hitbox that is only in the 1st layer. The core advantage of the Hit Box is that you have more deliberate control over your game, helping you make fewer mistakes in a match. Random execution mistakes are significantly decreased when you use your entire hand for motions, rather than your wrist or thumb.

Previous posts in this series:

This blog post outlines all the steps and code to set up hitboxes and hurtboxes. You can also follow along in the video below:

Essentially, hitboxes and hurtboxes are just specialized collision checks (collision checks allow you to determine when objects come in contact or overlap). A hitbox is usually associated with some form of attack, and describes where that attack is effective. A hurtbox is usually associated with a character (or any other “hittable” object in your game). Whenever the two collide, we consider the attack to have “landed” and we apply its effect on the target. I am going to be using fighting games as the main example for this entry. In my opinion, fighting games offer the clearest examples of hitboxes and hurtboxes, making them very easy to understand.

Check out the example below from Ultra Street Fighter IV.

Here we see Makoto performing one of her special moves, Fukiage. This is an upward-angled punch used as an anti-air attack, hitting an opponent that is jumping at you. The red rectangle is the hitbox of the attack, while the green rectangle is the hurtbox. If Makoto were to touch someone else's hurtbox with her hitbox, the other player would be “hit.”

Now that your brain is melted from reading the word “box” a thousand times, let's get started with the setup.

First things first! We need a sprite for our hurtbox. Create a new sprite, name it sprHurtbox, make it just a single pixel, and color it green. We only need a single pixel because we are going to scale it to whatever size we need whenever we instantiate a hurtbox. The alternative would be to create a custom-sized hurtbox sprite for every game object that might need one—tedious and wasteful.

Now that you have your sprite, let's create the object. Create a new object, name it oHurtbox, and assign the sprHurtbox sprite to it. Add the create event, and add the following code.

This is all the code we need for the hurtbox. Pretty simple, right? We want to set the image_alpha to 0.5 so that the hurtbox is transparent. The owner variable will be tied to the id of whatever object created it, such as the oPlayer object. More on that in a bit. Finally, the xOffset and yOffset is used to line up the hurtbox with its owner. Now we need to create the hurtbox and give it an owner.

Create a new script and name it hurtbox_create. Add the following code.

This script looks complicated, but it's fairly simple. First, we create an oHurtbox object and store the ID of that object in the _hurtbox variable. Then, using the _hurtbox variable, we pass in the owner, which will be whatever object is calling this script. From there we define the scale, and offset of the hurtbox. Now that the script is created we can put it into action. Open the oPlayer object and add the following code to the create event.

Using the hurtbox_create script we just made, we are able to set the scale and offset really easily, and store the ID of the oHurtbox object in a variable that the oPlayer object can use. The numbers used in the script are measured in pixels. The hurtbox we are creating is 18 pixels wide, 24 pixels tall, offset 9 pixels to the left of the player sprite, and offset 24 pixels above the player sprite. If you run the game now, you will notice that your hurtbox isn’t following your character around, so let's fix that before moving on. Open the end step event in your oPlayer object and add the following code. If you are following along from previous entries in this series, I added mine right below the animation code.

Alright, so this little chunk of code makes sure the hurtbox is following our player around. Using with and other is probably a new concept for you, so let me explain. When you use with followed by an object name (or specific object ID) the code following runs as if that object were running it. So when we say with(hurtbox) we are updating the x and y position from that particular oHurtbox object that we have stored in our hurtbox variable.

Since we are using with we can also use other. When using other in this context, it is referring back to the original object this code is running from. In this case, that is our oPlayer object.

Now you can see your hurtbox following the player around in the game.

When play-balancing your game, there is really only one rule to consider for hurtboxes: The smaller the hurtbox, the better it is. It is a lot harder to hit something that is 2x2 pixels than it is 50x50 pixels!

Now that we have our hurtbox, we need to hit it! It’s hitbox time! The setup required for a hitbox is pretty similar to that of the hurtbox, but it has a bit more going on. The hitbox is what actually checks for collisions and determines what to do after a collision is detected.

Just like the hurtbox we need to create a sprite and an object. Create a one-pixel sprite named sprHitbox and color it red. Then create the oHitbox object and assign the sprHitbox sprite. Add the create, step, end step, and destroy events to this object. Open the create event and add the following code.

Like with our hurtbox, we need to set an owner and offset. However unlike a hurtbox, a hitbox doesn’t exist at all times. It only exists during an attack. The life variable will be used to determine how many frames the hitbox will exist and remain active. xHit and yHit are our knockback variables. hitStun determines how long the character we hit is put into hit stun. More on that below. Finally, the ignore and ignoreList variables will be used to ensure we don’t hit a character too many times. You’ll see how that works in a bit.

Hit Stun is how long, in frames, that a character is stunned after being hit. If a player has been stunned, they cannot do anything! This is the cornerstone of performing combos in a fighting game. If your next attack starts up before your opponent recovers from hit stun, you can hit them again!

Open your destroy event and add the following code.

This ensures that the owner of the hitbox stops trying to interact with it once it has been deleted, and it deletes the ignoreList when it is no longer needed. If the list is not deleted, it can cause memory leaks, which is no bueno.

Moving on to the step event - open that up and add the following line.

This will subtract from the life of the hitbox while it is active. When the life variable reaches zero, the hitbox will be deleted. Which brings us to the end step event. This is where our last bit of code will go. Open it up and add the following code. When an object is destroyed, like we are doing above, the destroy event will be called (if present). The hitbox setup is complete—for the actual object, anyway! There is still a lot to do. Much like the hurtbox, we need a hitbox_create script. Create a new script, name it hitbox_create, and add the following code. This works exactly like our hurtbox_create script, although we are passing in a bit more information. Other than the scale and offset, we also need to set the life, xHit, and hitStun of the hitbox.

Exhausted yet? We are about halfway done. Go back into the end step of your oPlayer object and add the following lines right below your hurtbox code.

This is slightly different than the hurtbox code, in that we always want to make sure we actually have a hitbox in game at the time. We do this by first checking to see if our hitbox variable does NOT equal -1.

Now, the final step, we need to actually create the hitbox at the right time during our attack. But before we do that I need to give you a brief rundown on the anatomy of an attack in a fighting game. All attacks are broken up into three parts. Start Up, Active, and Recovery. Each of these parts lasts a certain number of frames. Check out the diagram below (I wish I knew who made this so I could give credit).

Start Up is how long it takes for your attack to become active. It is the wind up to your punch or kick. Active is how long the hitbox is able to actually hit someone. Recovery is how long it takes for your character to finish out their attack and return to a neutral state, after which they are able to perform other actions again. Let's take a look at our character sprite to determine where our start up, active, and recovery frames should be. Our start up frames are frames zero to two. These are the wind up of the attack. Active frames are three to four, and recovery five to seven. We need to create our hitbox on frame three, and it needs to be active until the start of frame five. In my project, my sprites are animating at about four frames per second, given that my frameSpeed variable is 0.15 and the game is running at 60 fps. This means the life of my hitbox needs to be eight frames.

Open up the attack_state script and add the following lines.

We are checking to see if we are on the right frame, and that we don’t already have a hitbox. If so, we create the hitbox using our hitbox_create script. When creating the hitbox, we need to multiply the horizontal values (both scale and offset) by the direction the character is facing. This ensures that the hitbox is always lined up with the orientation of the character. Then we set our eight frames of life, followed by horizontal knockback and hitstun. If you run the game and start attacking, you should see the

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hitbox appear and disappear as intended. Now we need to make it hit something!

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A quick word on hitbox play balancing. The larger the hitbox, the more powerful it is. Same thing with life. The longer the hitbox is active, the stronger it is. Giant, lingering hitboxes are always very strong in fighting and action games. Keep this in mind when designing your attacks!

Before we can do any punching, we need something to punch! We need an enemy. Something, or someone in this case, who can receive our rage. This is going to be pretty easy, as the enemy is going to use a lot of the same code as our player. We will, however, need to add some new sprites. You can use any sprites you want, or download the same sprites that I am using.

Create the sprites the same way as we created the player sprites. Make sure the sprite origin is (16, 32) just like last time! You should have two sprites: sprEnemy_Idle and sprEnemy_Hurt.

Duplicate the oPlayer object and name it oEnemy. Assign the sprEnemey_Idle sprite to the object, and then open up the create event. We need to add some new variables.

Hit is a simple boolean we will use when applying hit effects. Next, GameshitStun is how long the enemy will remain in hitStun after being hit. Finally, hitBy will be the ID of the object that hit them.

Moving on to the step event. Open that up, and delete the lines pertaining to player buttons and the state switching. We don’t want the enemy to perform actions when we push buttons, and we need to re-write the state switching. Add the following code.

Since our enemy is only going to stand still or be hit, we don’t need any other states at the moment. However we do need to create the hit_state script. Do that now and add the following code. This should look pretty familiar to you if you have been following along. First, we reduce the horizontal speed of the enemy until it reaches zero. Next, we count down hitStun, and return the enemy to their default normal state when hitStun reaches zero. Easy!

Moving right along to the end step event. First, replace animation_control(); with animation_control_enemy(); and then add this below the hurtbox code.

This is where we apply hit effects like knockback, squash and stretch, screenshake (if we had it), and so on. It also changes the enemy state to the hit state, which locks them out of performing any other actions while they are in hit stun.

Before we stray too far, we need to create the animation_control_enemy script. This is the same kind of script that the player uses, but simplified, considering the enemy has fewer animations and behaviors than the player. Check out the code below and make sure your animation_control_enemy script matches.

Nothing fancy going on here. All we are doing is setting the sprite based on the state just like we did with the player.

Boom! Enemy setup is complete! Place an enemy or two in the room. Now we are moving on to the hard part… checking for hitbox/hurtbox collision (overlap), and resolving that collision.

Alright folks. Strap in. This is where things can get a little weird and hard to follow. Remember using with and other, and how that is sort of confusing? Well… we are going to use with and other again, but nested within itself. Telling an object what to do from inside of another object that is inside of another object! Object inception! Okay maybe it’s not that complicated, but it can be hard to read sometimes…

Anyway, let's go back into the oPlayer object and open the end step event where you put the hitbox code earlier. Update it to look like this.

Quick recap of what's happening here. We check to see if we actually have a hitbox at the time, and if so, we then check all hurtbox objects to see if any of them are colliding with this particular hitbox instance. When using with it's important to note that if you just use the name of an object, like oHurtbox, instead of the instance ID of an object, you will be running code from within ALL instances of that object. Now we are two layers deep, and are checking the collision from the hurtbox, so when we use other it is no longer referencing the main object (the oPlayer object) that is running all of this code, but instead the object that is one layer above this one (the oHitbox object).

Check out the diagram below for a visual representation of what is happening.

The oPlayer object is using with to talk to the oHitbox object, which is then using with to talk to the oHurtbox object. Each of these with calls creates a new layer to the code. When an object is using other, it is referring back to the layer above it. It is imperative to understand these layers and how with/other work together to fully understand how these collision checks will work.

Finally, we need to resolve the collision. We have already checked to see if the hitbox and hurtbox have collided, and now we need to decide what happens next. This is where our ignore variable, and our ignoreList comes into play. First we need to check and see if the hitbox has already hit the hurtbox.

Thats a lot of curly brackets… But don’t worry. It will all make sense soon enough. We had to do one additional with function after determining that our hitbox has collided with a hurtbox, and that these two boxes had different owners. The owner check prevents hitboxes from colliding with hurtboxes that belong to the same player, and thus, prevents the player from kicking their own butt.

Next we check through our list of enemies to ignore. If you have never used a for loop before this may be a bit confusing, but it is much more simple than it looks.

A for loop executes a block of code a certain number of times. In this case, it executes as many times as there are instances of data in our ignoreList. It checks each spot in the list, and compares it to the owner of the hurtbox it has just collided with. If any of the data in the list matches the owner of the hurtbox, the owner is ignored, and does not get hit, and we stop checking the list by using break. We do this to prevent the same enemy from being hit every single frame our attack is active. If this ignore check wasn’t present, then the enemy would be hit 8 times in 8 frames.

You may be wondering how the ignoreList gets populated with data. That is the next step. If our first check fails, that is, if the enemy should NOT be ignored, we can hit them and add their data to the list. Make the following changes to your code.

If ignore is false, then the owner of the hurtbox (other.owner) is hit! We need to tell that object it was hit (other.owner.hit = true) and what hit them (other.owner.hitBy = id). Then add them to the ignore list so we don’t hit them again on the next frame (ds_list_add(ignoreList,other.owner). You should now be able to run the game and punch the heck out of your enemy! They should get knocked back and put into hit stun.

Wow. That was exhausting. I’m proud of you for making it all the way through that. When I set out to write this article, I didn’t really anticipate that it would take this long. I am happy that I got to show off a lot of interesting concepts like with/other, for loops, ds_lists, and simple collision checking. This is just one way to set up hitboxes and hurtboxes, and even though this uses GameMaker-specific code, it should be applicable to any programming language as long as you can do simple AABB (axis-aligned bounding-box) collision checks.

Are Hitboxes Cheating In 3d Games Youtube

I really appreciate you taking the time to read through this post, and I hope you learned something new. You can follow me on Twitter, and on my website for more gamedev related stuff! And for more information on some of the new topics introduced in this post, check out the links below.

Nathan Ranney is the founder of punk house game dev shop, RatCasket. He’s best known for the creation and development of Kerfuffle, an online indie fighting game.

Ever throw your controller in frustration because that punch or that shot didn't land and you just KNOW it should have? Well, blame the hitbox.

Hitboxes are a developer's way of defining the space around an object — usually one that's animated — that can be hit in real-time. Some objects will have a set of hitboxes that overlap each other, ensuring that no matter how fast the thing is going, the range around its shape is as accurate as mathematically possible.

Are Hitboxes Cheating In 3d Games 2020

Chris Wagar has compiled a huge gallery of different video games, showing off how exactly each of them handles collision detection on their characters. The multi-colored, boxy shapes drawn around recognizable characters almost feels like a modern, simplified take on cubism that I could totally see hung up on someone's brick-wall apartment.

[h/t Gamasutra]

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